A Widow for One Year

When I pick up a John Irving novel, I expect a certain level of wittiness, maybe a small dose of silliness, some odd characters and maybe a dancing bear or two. I get none of that in A Widow for One Year, his ninth novel. My expectations aside, I should be able to enjoy one of his books that doesn't rely on these hooks. I understand a writer wanting to something new. If I had to characterize this book in his canon of work, I'd put in the category of experiment that failed, like his A Son of the Circus, which was published a novel before this one. 

One of the themes of the book is grief and how different people deal with it. Two of the main characters, Ted and Marion are the parents of two teenage boys whom they see die in a brutal car accident. Ted reacts to the grief by womanizing. Marion does so by bottling it up and eventually running away. She also seduces Ted's teenage writing assistant, Eddie. Ted and Marion also have another child Ruth who is four when Marion leaves the family in 1958. The rest of the book, takes place in the 1990's with middle-aged Ruth and Eddie still dealing with how Ted and Marion's destructive behavior affected their life. Ted and Marion's grief had infected another generation. Marion explains that "grief is contagious." 

Another theme of the book is whether a writer needs to experience what they write about or is their imagination all they need to rely upon. Every major character in this book is a writer (Ted, Marion, Eddie and Ruth) which gets tiresome. In one of Ruth's books she refers to one of her characters as "a widow for one year" and an angry reader complains that one is a widow for the rest of your life implying that Ruth is an imposter and doesn't know what she is writing about. 

I find this part of the book interesting because there is always a lot of Irving's life in his books. He wrestled at Phillips-Exeter as a kid and this appears in his novels a lot. They often are based in New England (he was born in New Hampshire and is now a Vermonter) or in Canada, partially, in which he also lives. The only Irving book I can recall that did not have a lot of his life in it, was A Son of the Circus, which was a crime novel set in Dubai and it was a disaster of a book. Perhaps A Widow for One Year was written in response to the criticism of that book. 

My attraction to Irving novels is usually the characters. I love Garp, Owen Meaney, Homer Wells and the kids growing up at The Hotel New Hampshire. This is a 500+ page book that mostly documents the sex life of a small group of self-obsessed individuals. When you have the ability to create a character like Garp and his mom, why create these tiresome people? Two thirds of the way into the book, the character Ruth takes a trip to Europe. I don't know why these 100 pages are even in this book. The end could have been rewritten without these pages entirely. When I got to this point, I wanted the book to end. If I didn't have a commitment to finish a book after I started one, I wouldn't have gotten through this one.